Guest-edited by James Daybell and Andrew Gordon, and developing out of a conference held at Plymouth University in 2011, the issue features an introduction to the latest developments in the field (in which EMLO gets a name-check); eight case studies of particular correspondents and correspondence networks; and a spectacularly useful select bibliography on the manuscript letter in early modern England. All articles are free for download from the journal website. James also contributed to our 2011 seminar series (here’s the podcast), while his latest book on the material letter has just been reviewed by the IHR.

The Correspendence of Joseph Justus Scaliger (8 volumes) has just been published by Droz. Edited by Paul Botley and Dirk van Miert, with supervision, advice, and coordination from Henk Jan de Jonge, Anthony Grafton, and Jill Kraye, the simultaneous appearance of all eight volumes of this major early modern corpus represents one of the most impressive scholarly achievements of modern times (work on Scaliger’s correspondence only started in earnest in 2004).

The critical edition contains nearly 1,700 letters sent to or by the French polymath, all of which are presented alongside a complete scholarly apparatus as well as English synopses. Scaliger’s correspondents include such luminaries as Dominicus Baudius, Tycho Brahe, Isaac Casaubon, the Dousa and Dupuy families, Daniel Heinsius, Johannes Kepler, Justus Lipsius, Claudius Salmasius, Jacques-Auguste de Thou, Marcus Welser, and Joannes Woverius. The edition was supported by the Andrew W. Mellon Foundation and (via Anthony Grafton’s Balzan Prize) the Balzan Foundation, with additional contributions from London’s Warburg Institute, the Scaliger Institute of the University of Leiden, and a number of Dutch societies and foundations.

No let-up in the pace: editors at work

The scene is set for the reception

The next generation of edition-makers

Rhodri Lewis and Sarah Rivett

This major publishing event was celebrated at the second of two publisher-sponsored drinks receptions at our latest conference Communities of Knowledge: Epistolary Cultures in the Early Modern World (20-22 September, 2012). Nearly one hundred delegates and guests assembled in the Bodleian Library’s magnificent Divinity School to toast the launch, where they were treated to wine, cocktail snacks, music from professional harpist Stephen Dunstone, ‘The Path to Scaliger: An Intellectual Journey’ (an animated presentation created especially for the occasion by Dirk), and speeches from Anthony Grafton and Max Engammare, Director of Droz. In related news, metadata from the edition is currently being prepared for inclusion in our union catalogue Early Modern Letters Online, while Dirk and Paul can be heard discussing the Scaliger corpus in their joint contribution to our 2010 seminar series.

Jan Loop, Noel Malcolm, and Dirk

Anthony Grafton’s address

Not pictured: four more volumes

Scaliger raises a glass

We congratulate Paul, Dirk, Henk Jan, Anthony, Jill, and Max (and thank them, as well as Wilma Minty and the rest of the Bodleian’s Historic Venues team, for their help with the reception), and wish the edition every success! For more information and to order online – in hard copy or electronic format – please visit the publisher’s website or download the flyer (pdf).

Podcast available on the seminar page!

The zoological theme continued on Thursday 3 May when Florike Egmond from Leiden University (formerly of the Clusius Project) gave a talk in our seminar series entitled The Webs of Clusius and Gessner: Correspondence, Images, and Collecting in Sixteenth-Century Natural History. In a detailed and lavishly illustrated discussion, Florike described her recent discovery of two albums of original watercolour drawings created for the sixteenth-century Swiss naturalist Conrad Gessner (1551-1558) within the Special Collections of the University of Amsterdam.

Crafted in Basel by the anatomist and natural historian (and Gessner’s friend) Felix Platter (1536-1614), the images – of a menagerie of marine life, mammals, reptiles, and amphibians, across 369 pages – formed the basis of many of the illustrations within Gessner’s zoological masterwork, the Historiae Animalium (1551-1558). You can find out more about this exciting discovery in Florike’s recent blog post for the Picturing Science network, and in her recent article for the Journal of the History of Collections.

Conrad Gessner.

Anna Marie chairs Florike.

Renaissance correspondence networks, argued Florike, played a key role in sharing and disseminating (although not, curiously, in facilitating discussion of) manuscript images, as both Gessner, Clusius, and other naturalists solicited hand-drawn illustrations of animals to serve as the basis of woodcuts in their publications from colleagues and agents around the world. These exchanges, in turn, formed the basis of what Florike termed (with caveats) a kind of visual ‘canon formation’ within natural history, as elements of various portrayals were adapted, reworked, and reappropriated across different contexts and between media; as representational norms stabilized; and as the repertoire of animals deemed suitable for inclusion in zoological texts (whose wide remit originally encompassed familiar creatures such as cats and goats) was narrowed and standardized. A lively question and answer session focused on the artisanal communities responsible for producing the illustrations; how the works were commissioned and stored; and the frustrating but typical absence of any kind of discussion of manuscript images in the letters with which they circulated (resulting, suggested Florike, from the self-evident nature of enclosed materials).

Seminars take place in the Faculty of History on George Street on Thursdays at 3pm. For future talks in the series – and to listen to the podcast of Florike’s paper – please see the seminar webpage. All are welcome!

Podcast available on the seminar page!

Alison fields questions.

Bess in the 1590s.

Dr Alison Wiggins of the University of Glasgow got our third seminar series off to a brilliant start on 26 April with a sophisticated and thought-provoking presentation on Editing Bess of Hardwick’s Letters Online. As Principal Investigator of the Letters of Bess Hardwick Project (funded by the AHRC), Alison described the benefits and methodological challenges of digitizing this unique Renaissance correspondence, which consists of approximately 245 extant letters (160 to and 85 from Bess) scattered across 18 different repositories spanning a period of nearly 60 years.

Using several examples drawn from the corpus, Alison argued that making all of the letters available in an open-access, fully searchable online edition will enable scholars to pursue a wide range of linguistic, sociological, and historical questions, and will allow them to arrive at a much more comprehensive and nuanced understanding of the character of Bess herself, who has been variously depicted as a materialistic virago or as an admirable defender of women’s honour.

Moving on to more methodological questions, Alison explained that capturing and communicating significant information on the material and visual features of letters, such as the writer’s use of ‘significant space’, paper quality and size, the employment of colourful silk ribbons and flosses, seal choice, and the many varieties of folding, can be particularly difficult in a digital environment, which has a tendency to reify disembodied text at the expense of the letter-object (concerns also raised by Henry Woudhuysen and James Daybell in previous talks). This is a significant problem, since such information is not just antiquarian micro-detail; on the contrary, for contemporary recipients, all of these carefully considered material decisions on the part of the sender conveyed specific social meanings about politeness, deference, and hierarchy which set important parameters for the reception and consumption of a letter’s written content. However, such physical variables and their nuances are not easy to capture faithfully with a simple measurement or colour chart reference in a metadata field. The solutions developed by Alison and her team in the context of the Bess project (such as encoding each of the four recognized kinds of letter-fold − tuck and fold, slit and band, accordion, and sewn − within each letter’s XML to facilitate searching and filtering by plicature and packet type) genuinely move forward thinking in this oft-neglected area and will be of great interest to other digital initiatives.

Following a brief, appetite-whetting demonstration of the Bess letters alpha software, a lively question and answer session concluded the seminar, which covered such topics as the sociolinguistic significance of employing scribes and the iconographic implications of Bess using her ‘ES’ signature both in letters and as architectural embellishment on her stately home, Hardwick Hall. Broader concerns were also addressed, including the need for digital projects to produce REF-friendly outputs – an increasingly important theme – and ways of ensuring the preservation and accessibility of online resources long after project funding comes to an end. The soon-to-be-released Bess of Hardwick Letters Online will include annotated transcriptions of all of the letters and images of many, as well as articles and podcasts offering further contextual analyses of the correspondence. For news about its release date, stay tuned!

Seminars take place in the Faculty of History on George Street on Thursdays at 3pm. For future talks in the series – and to listen to the podcast of Alison’s paper – please see the seminar webpage. All are welcome!

Podcast now available on the seminar page!

Portrait of Francis Bacon, Viscount St Alban, by John Vanderbank (after an unknown artist). 1713? (c.1618). Oil on canvas, 76.5 by 63.2cm. (National Portrait Gallery, London, NPG520; image taken from Wikimedia Commons).

In the third installment of the Project’s seminar series on Thursday 13 May, Professor Alan Stewart (Columbia University and the Centre for Editing Lives and Letters, QMUL) gave a fascinating and wide-ranging talk on ‘Writing Francis Bacon’s Letters’. Taking as his starting point the curious anomaly that, despite his standing as a public intellectual, Bacon’s own extant letters (c.800) do not address scholarly themes and were not exchanged with continental luminaries such as Galileo, Grotius, and Peiresc (instead focusing on a ‘worldly and slightly sordid narrative’ of social and political affairs), Stewart argued that for an epistolary elaboration of Bacon’s intellectual agenda we need to focus on the letters he crafted as a lawyer and junior parliamentarian on behalf of Robert Devereux (the 2nd Earl of Essex) during the 1590s. Within an environment of manuscript production in which letters were not a private ‘conversation between two absent persons’ (in the Erasmian formulation) but were instead drafted, disseminated, and consumed collaboratively, and a political one in which Essex relied on a large team of quasi-scholarly secretaries and advisers to generate key documentation, Bacon was able to use the letters to advance anonymously themes which prefigure his later The Advancement of Learning (1605). This tactic is particularly evident in a letter ostensibly from Essex to Fulke Greville on research methods (which include Baconian attacks on the usefulness of epitomes and veneration of the value of history), and three letters to Roger Manners, the 5th Earl of Rutland (which include a Baconian discourse on the pursuit of knowledge as the purpose of travel). However, concluded Stewart, scrutiny of these practices during the 1601 trial following Essex’s failed rebellion led Bacon to distrust epistolary formats, meaning that thereafter we must look beyond letters to recontruct his intellectual project. Seminars take place in the Faculty of History on George Street on Thursdays at 3pm. For future seminars in the series, please see here.

Podcast now available on the seminar page!